One
and Three Shirts was motivated by a conceptual piece created in 1965 by
Joseph Kosuth entitled One and Three Chairs. Kosuth’s piece consisted
of a chair, a photograph of a chair, and an enlarged printed definition
of the word “chair”. The installer at the gallery was instructed
to pick out any chair and display it in the gallery. Hung above and to the
right of the chair would be the printed definition, and to the left would
be a life-sized photo of the chair. In the case of this shirt, the highlights
of a photograph of a shirt are depicted so that the image can take on the
underlying color of the actual fabric. The piece is meant to highlight the
relation between language, pictures and objects. Are there three shirts
depicted here or just one? Are the three elements the same or totally different?
Although the image of a shirt and the definition of a shirt are just signs
to communicate the concept of the actual shirt, one could argue that the
definition is more essential than the shirt itself because without the explanation
of the word “shirt” one would not know what the object is.